Ordered by article count:     Michael Mendones   admin   Chris Underwood   Travis Seewald   Rory Allen   Nicholas Marsh   Diane Morrison   Jonas Andersson   Dan Glass   Tine Blom   Keith Haworth   Hannah Brassington   Vicky Nagy   Shun Louis Bellieni   Nadine Jarvis   Björn Schütrumpf   Sol Nicholson   Saem Lee   Padraig O'Connor   Mike Whelan   Matt Ward   Lisa Chen   Kirk Coffey   Jonathan Buchan   Jaimes Nel       Are all . . .


Mi Estrellita es Triste, pero Adios

By Michael Mendones

Fondue Set, Water, Vocals, Gamelan, Songstone, Thundertube, Chinese Clarinet, Caixa, Bowed Berimbau, Tin Whistle, Saw, Tablas, Bongos, Djembe and Pote.



Middle Distance

By Chris Underwood

Another poem.



What is this thing called multiculturalism?

By Rory Allen

A response to Melanie Phillips



God, sex and global warming

By Rory Allen

What the Christian right will be saying next.



Shiroyama

By Chris Underwood

Just something I wrote at around 1.30 a.m



Cruci-un-fix-able

By Chris Underwood

This is a poem not so much inspired by recent events in my life as it is a direct product of them. It’s intended as part of a collection of poems entitled “Love, Honour and Obey” which I hope to have finished sometime early in the new year.



Form is a cage in which to trap Meaning

By Michael Mendones

Electric handblender, jaws harp, saw, tablas, glockenspiel and radio-controlled helicopter music



Raga on a Five-Stringed Guitar

By Michael Mendones

A Meditation/ Fugue



A Madman Stole my Drums

By Michael Mendones

my Djembe, my Tablas, my Bongos, my Flute and my Tibetan cymbals - and proceeded to thrash the hell out of them with a drumstick for samba drums! How inconsiderate…



The Heath

By Michael Mendones

Even more spacious


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Daybreak Page Three

By Chris Underwood


The third page of another piece of micro-fiction in the style of my earlier Words in Freedom poetry.




Rose Rage

By Rory Allen


The lament of a bouquet that was rejected




Hey, you, What did you do? What did we flowers ever do to you, That you threw us out with the rubbish, Dumped us unceremoniously, as though we were Potato peelings, not beautiful things? Shame on you! We were gifts of love, Love adorned our frail petals, and hung on our delicate perfume like honey. All that you have spurned. May you never be judged by us, When alone you make your final account! Then, look out, when we flowers rise up, all bristling and thorny, And say, “Throw her out”!



Mystique (orginal)

By Travis Seewald


This is a pencil drawing I did many years ago trying to be an aspiring artist.


Mystique (orginal) This is a pencil drawing I did many years ago trying to be an aspiring artist.



Form is a cage in which to trap Meaning

By Michael Mendones


Electric handblender, jaws harp, saw, tablas, glockenspiel and radio-controlled helicopter music


http://www.esnips.com/web/FormisacageinwhichtotrapMeaning



The King (or why Bernal is the name to remember)

By admin


Fortunately, in ‘The Da Vinci Code’ cinema season, there are films like James’ Marsh debut, ‘The King’, that have the power of confronting the audience by raising questions with no easy or ready-made answers.


Get right with God. Be prepared to meet him. William Hurt’s voice and presence is imposing, his authority unquestioned, his faith unshakeable. Or at least this is how it seems. But by now, my true cinephiles, you should now that almost never things are the way they seem to be on the surface. Deep down, people hide secrets. So, what’s new? you are going to ask. Why is ‘The King’ a special film and not just another revenge story? Is it because it involves incest? Or because it deals with the limits of faith and forgiveness? Yes and no; Milo Addica, screenwriter of films like ‘Monster’s Ball’ and ‘Birth’ and James Marsh in his debut are not afraid to take the knife to the bone. The place is Texas and I suppose we all know that this is one of the most conservative states. The hero is Elvis, a half Mexican young man who ,after leaving the Navy, goes to find his father. Son of a prostitute, Elvis, is not accepted by his father, now a minister of a church with a well respected life and family. Elvis represents his sinful past from which he has long now been cleansed. His rejection of Elvis sets off an unbelievably cruel revenge plan. You sense early in the film that something bad is going to happen. Around the middle of the film, an unexpected act of violence confirms your suspicions. But you go on feeling uneasy, tense. You know that something bigger, more…



The Picnic! It was Super Fun!

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The Picnic was a huge success! We had amazing music, free sandwiches, spontaneous poetry , answersquestions, musical chairs, pass the parcel, a minature protest, sandwich making, a book sh(w)op, Hacky Sack, Juggling and more!


Read more >>>




Response to: The Time Left

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Response to: Drink The Potion

Comment by: joe

Hey, I have heard of this potion or what ever they call it .. I was wondering what the affects…


Response to: The Time Left

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Response to: Disscourse Analysis over Kurt Cobain

Comment by: Lisa

Nice coincidence to see this article..I was listening to a Nirvana cd and yesterday I checked out ‘The Last Days’.…


Response to: Stereotypes of men film directors in women language

Comment by: lisa

Hello Nicola, no problem, I will send this to you, I’m glad you find it interesting!


Response to: Off Limits Performances (Part 1)

Comment by: nick

Wow, toby, you are soooo intense! Where does it come from you crrrrazy dood!? WTF!? ;) c u l8r m8!…


Response to: Porkfish and Fat Cats

Comment by: Lisa

’unusual grunting sound underwater.’ I think it’s probably kind of like the sound the NatWest CEO makes when he’s jerking…


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Response to: one to do it

Comment by: Cat

that really has something. and. jude?


Response to: domestic traffic

Comment by: Cat

and was that a meal with the family? you remind me of the way i write ... i’d never link…


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